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musical harmony

[网络] 音乐和谐;音乐和谐性

网络

双语例句

  • This thesis gives an introduction to its composing background and a detailed analysis of its musical form, harmony and playing features.
    文章对其创作的背景、曲式、和声、演奏、风格特点等做了具体的分析与论述。
  • This part consists of six aspects of musical form structure, tonality, harmony texture, melodies, rhythm, sound. The part investigates the application of Hungarian elements through analyzing musical language of Hungarian rhapsody.
    这部分从曲式结构、调式调性、和声织体、旋律、节奏、音色,六个方面着手,通过分析《匈牙利狂想曲》的音乐语言特征,探究匈牙利民族元素在这部作品中的运用。
  • Harmonies are often absent unless one accepts the musical nuance of imitation as structured harmony.
    除非人们愿意接受仿效结构之美的细微差别,否则和谐之美往往都是不足的。
  • His theories for musical composition consist of the principles for tonal material organization, application of harmony, the arrangement of tonality as well as analysis of works.
    兴德米特作曲技术理论包括了音高材料的组织原则、和声的运用、调性的安排以及作品的分析等等。
  • The Application of Psychology of Musical Education in Teaching of Harmony
    音乐教育心理学在和声教学中的运用
  • His parents began his musical training at the age of four with guitar lessons and influenced his tastes by playing music in the house that was alive with harmony and melody.
    岁时,父母开始对他进行了吉他方面的音乐训练,影响了他室内奏乐的风格,那种充满了和谐美妙的风格。
  • In Chapter 2, I analyze the nationality features in his musical creation from the elements of rhythm, harmony, tune and so on, trying to grasp its outstanding originality on the application of nationality musical elements and techniques.
    在第二章,笔者从旋律、和声、调式等诸多创作因素入手,对丁善德钢琴音乐创作中的民族特性进行了分析,力图把握其创作对民族风格音乐要素的应用及创作手法的独到之处;
  • He believes that music contains the essential factor-"harmony", if the musical "harmony" were brought into the whole universal society, the whole society would develop harmoniously.
    孔子认为音乐蕴涵着和的要素,将乐音之和推及到整个社会宇宙,能使整个社会宇宙得到和谐化的发展。
  • We develop a rule-based system for the purpose of analyzing musical examples to extract probabilistic rules of harmony;
    在此论文中,我们提出了一基于粒子群优演算法的模糊知识整合方法,可用于多个模糊知识库的融合之用。
  • In the recessionary 1970s, the Broadway musical ( adapted for the screen by John Huston in 1982) made room for Roosevelt and ended on a note of harmony between government and private enterprise.
    在经济萧条的20世纪70年代,百老汇的歌舞剧版本(该版本于1982年由约翰·赫斯顿[JohnHuston]搬上银幕)为罗斯福留出了空间,最后以政府和私人企业之间的和解迹象而告终。